pierre gerard
_objects in mirror are closer than they appear_
first: light of day 15:52
second: front nights 17:00
flac 16bit 44100hz
download the whole mp3 release (22,7 mb)
_ etlefeucomme_netlabel_
Cette création est mise à disposition sous un contrat Creative Commons.
This work is licensed under a Creative Commons License
_ pierre gerard : “ the main thing in this work was to try to capture or to reveal the light impact on a car wing mirror in motion… in a sound picture. _ i can't drive so i had the opportunity to observe day and night…”
_ pierre gerard : " le fil conducteur dans la production de cette recherche a été de tenter de rendre ou de traduire l'impact de la lumière sur le miroir d'un rétroviseur de voiture, lors de ses déplacements... en image sonore.
_ je ne sais pas conduire, j'ai donc eu tout le loisir d'observer, de jour comme de nuit ..."
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VITAL WEEKLY
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number 639
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week 33
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The second release is by the man from the label and its less audible. To hear it rightly I put on my headphones, which is something I hardly do. The two pieces are inspired by 'the light impact on a car wing mirror in motion' and non-driver Gerard has had the opportunity to observe this day and night. 'Light Of Day' is a very silent piece of sounds moving in and out of the mix, recorded at a very low volume. If microsound means nothing to you, then listen to these isolated sounds moving about in a sea of silence that slow is filled with sinewave like sounds. In 'Front Nights' there is more 'action', and here I think to recognize music instruments. Lots of hiss on some of these sounds, but throughout more happening than in the first piece. Both pieces require an intense listening session, but along the lines of Steve Roden and Roel Meelkop quite enjoyable microsound pieces. (FdW)
http://www.vitalweekly.net/639.html >> _